The influence of the Bauhaus movement is evident in Ross Thompson Furniture’s product range. Each piece of furniture encapsulates a return to the fundamentals of the everyday use of furniture, while expressing this in such a way, so as to harmonise the quotidian needs of the user with a complimentary aesthetic.

At Ross Thompson Furniture, we are passionate about showcasing the beauty and quality of native Australian timbers. We believe that by sourcing such timbers, we can contribute to the sustainable sourcing solutions of furniture materials, while also showcasing the most stunning expression through the aesthetic of our native timbers.

Here is a rundown of the key timbers used within our products.

The cultural phenomenon of Fast Furniture has resulted in the average consumer being satiated by ease and mobility. However, we can choose to adopt a new perspective as consumers. We can choose to invest in products that we perceive to be valuable; products that thereby reciprocate through long-lasting utility and an aesthetic that will enhance a multitude of spaces.

I have come to understand that utility and pragmatism are just some of the many essential characteristics that make up the multidimensionality of workmanship. In other words, ‘workmanship’ is a convergence of many elements; a multiplicity that must be considered in order for the completion of a successful piece, and for the manifestation of true artistry.

However elusive perfection is, at least it is tangible. Subjective, but definable. Imperfection is harder to quantify; it could be equally favourable or detrimental to the end product.

Handmade has become ubiquitous within furniture making; to an extent, it is a valid adjective for the work people do. However, I believe the greater meaning lies within what we choose to connect with, and our relationship with the people and the materials that have created it.